Audible Musings


White Rabbits – Its Frightening
May 26, 2009, 11:42 pm
Filed under: Uncategorized


So, I know it’s been ages since my last post, and now that I’m home with (some) free time, I figure its time to keep all you people who actually read this thing updated (bastille!) Now, When I came back from school I took stock of my music library, and came across this band that I had never heard of, and no idea how I had acquired their music. Nevertheless, I resiliently gave them a listen instead of just discarding the music. Boy was I surprised! These guys can really play, and I am wholeheartedly a fan. Only after this, it seems as though they are starting to gain traction in the main stream, which I love and think that they absolutely deserve.

Now for my thoughts on the album. The first track, “Percussion Gun,” seems destined to be the one track people take away as the “hit,” as it was played on Letterman and has its own video. That said, it’s a fantastic track. It opens with floor tom percussion, likening itself to the earlier days of animal collective, but with a more upbeat, straight forward flair. To me, it seems as if Spoon met Animal Collective and had a baby and named it Percussion Gun. Singer Stephen Patterson shines on the entire album, but particularly on this tune, as his voice cracks into falsetto at appropriate moments and when he screams, it feels right. The uptempo percussion intertwined with vocal harmonies sweeps from screaming highs to empty lows, and leaves you gasping for breath.

The transition into the following two songs, “Rudie Fails,” and “They Done Wrong/We Done Wrong,” are done quite well, and the driving percussive sound pervails, especially in Rudie Fails. Again, Patterson’s voice sings through and cracks appropriately, but this time around increasingly melodic and singing guitar lines that really brings out the instrumentation and skill of the rest of the band. As the album trudges into its mid section, it gets murkier and darker, with Patterson wailing “Listen to Me!” over a repetitive, trashy sounding percussive drive and increasingly rythmic guitar. As the tune, “Lionesse,” progresses, it moves from sounding like Patterson is appealing to an empty room to a soaring soundscape. Granted, this type of sound is not as hit-generating as that of “Percussion Gun,” but taken in the context of the album as a whole, it adds an otherwise lacking pensive and melancholy undertone.

“Lionesse” devolves into a down tempo tune, “The Company I Keep,” which sheds the overtly percussive backdrop of earlier in the album for a more straightforward tempo that highlights the rest of the ensemble, and lends itself to the vocal harmonies that seem to slide gracefully in between the chords. Likewise, “The Salesman (Tramp Life),” finds itself a simple beat but complex harmonies that, in the next song, “Midnight and I,” find themselves compounded upon in a spacey mid section that allows the vocals to sweep and surround the listener. It’s easy to get lost in them as they are quite hypnotizing, but as if sensing this, the band, in the next song, “Right Where They Left,” jolts us awake with the recapituation of the percussive backbeat and dark sounding piano likes intertwined with driving guitar riffs.

The album concludes with “The Lady Vanishes,” which is in the same vein as “Right Where They Left,” and the somber “Leave It At The Door,” which will inevitably draw some comparison to Radiohead, for the chord progressions as well as the way Patterson whines and slides his vocals. However, he manages to retain the distinctive vocal style he had developed throughout the album. By the time the song finishes, the listener is taken through sweeping effected harmonic passages, and is ultimately left to contimplate the album in the several seconds of silence at the end of the tune. All in all, a solid album put together by this bunch of men. With a sound distinctly their own but taking cues from other popular indie artists before them such as Spoon, Sonic Youth, The Yeah Yeah Yeah’s, and perhaps even to some extent, The Strokes, this band deserves the publicity it is recieving. As evidenced by the video below, they can play live too, so try to catch them while you can! (The second video is from their first album, Fort Nightly, which I HIGHLY recommend you pick up, its also awesome.)

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I WANT GRIZZLY BEAR REVIEW

Comment by Bastille




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